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« Metronome | 6/6/06 »

Taking Stock


This week last year I learned about the 2005 Bass Extremes Solo Bass Competition.


At this time last year I was really drifting musically. I wasn't in a band and I didn't know what I wanted to do with bass.

At that point I had been messing around with looping for several months - but nothing I did felt like it was ready to take out of the house. I didn't have a single whole complete song I could play in front of anyone.

I learned about the Bass Extremes contest by poking around on the web.

I figured it was exactly the kind of thing I needed to focus my energies on. It gave my musical efforts a purpose. I've discovered that if I don't have a purpose for doing something - it probably won't happen. So with really nothing more than the personal challenge of getting an entry together I went for it.

I had never arranged another person's song before (which was one of the entry requirements).

I had never written and performed a complete solo Bass song before.

I had no delusions about the contest. All I wanted was a critique from the judges (Wooten, Bailey, AJ, Lee, Patitucci) and as a bonus I'd have 2 complete solo songs I could play.

I sent in my entry on the last day possible before the deadline - postmarked July 31st. I didn't play much bass at all in August. I was drained and I thought I choked. I awaited the critique telling me the things I already knew were wrong with my entry.

Instead, in Sept, I got the call that I was a finalist. And for the next 30 days busted my hump playing my pieces to get ready for my first public performance since I was in High School ( that's about 19 years in case you're wondering) I was ready. I was confident and I played very well and really let it flow.

I won.

Then - after the rush wore off - I was lost again. Much of Oct, Nov & Dec I noodled with song ideas thinking I should put out an offical album. But I didn't reach anywhere near the instensity I had going during Sept.

Then I got a gig to open for Steve Lawson and Michael Manring and had to put 30 minutes of material together. I didn't have 30 minutes of material. That was my first real push to write music on a deadline. I came up with a few ideas which later did develop into good tunes. I learned a lot from getting ready for that gig and used that to really make the next solo gig go much much better.

That gig was the 4 bassist show called Solo Bass Night in May 06.

Today - I have 9 original Solo Bass tunes I can confidently play live . Another 4 are getting to that level. Plus I tend to have a few new ideas for tunes gestating all the time too. I'd like to do a few more arrangements of other people's tunes too.

If I only look at my current challenge to get a CD done - I totally miss the really amazing journey I've been on since last year. And the genuine amount of growth I've experienced since June 05.

I don't think there's another period in my entire life that has rivaled how far I've come on so many levels in just the last 12 months. It's so easy to get caught up in the current challenges that I forget to take a second just to remember where I was not too long ago.

This time last year the idea of playing a solo bass version of Little Sunflower seemed like an impossible dream.

Holy shit. ;-)

Comments

Thanks for sharing a bit of your history, Jeff! By the apparent prowess of your chops, it would be very easy for one to assume you've been plugging away for years and years at solo bass. Bravo!

Thanks so much Gustaf - that's very kind.

I have to bust my ass for every note.

Time flies huh? Ive been doing arrangements of lots of jazz songs lately. After I pay off my new head im going to buy a loop pedal and then I can really go crazy with the jazz songs. It seems to be a problem of mine too that I need some serious motivation to get something tightened up and finished. Anyways keep working on the cd I cant wait to hear it. P.S. I really like the fretless material as of late. After the loop pedal Im thinking of getting a fretless 5 probably a cheaper mtd or a cb. Sucks to always have something else to buy.

Hey Clay -thanks!

If you're into doing Jazz tunes with a looper you have to listen to Michael Dimin.

http://www.michaeldimin.com/

He knows about a billion Jazz tunes - he lays down the chords into a looper and them plays the head and solos.

Nice stuff.

Yeah his video of spain kind of pushed me into that. Ive been doing it manually on the computer but then those are no good live. if you havent seen this its you at the freight and salvage
http://video.google.com/videoplay?docid=-1903164424015463915&q=solo+bass

I remember a while ago you said you wanted to make your performances look difficult i think thats going well. I really love your fretless tone too.


Hey Clay - if I remember correctly I think what I was saying was how I observed the visual element at work in lots of performances and it's something to be conscious of and not to dismiss outright as so many people seem to do.

The funny thing about that video - it captures the mellowest performance of my set that night!

Can't wait to see what you're doing with the Jazz tunes!

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