My bad.

Details in . . . . tha FUTA!

that means - later.

This will have to do for now. Found these on a hard drive. Figured I'd put'em up.

From May 2008.

"Anticipation" - never recorded or released. I've always had a tough time getting the right feel for this piece so I probably thought this version sucked.

I got my Beta version today - and tried it out on my solo tune - FURY.

I was blown away.

watch.

This will totally change music. In fact- someone else posted that it will create a whole new genre of music - and I agree. Simply amazing.

I'm sorry comments are totally screwed here - but feel free to shoot a comment to me on my Twitter or Facebook.

Oh - if you know someone who can help me port this totally jacked-up blog from Moveable Type to Wordpress - lemme know.

Oh yeah - I can't access the back end anymore so - it's a bit of a challenge. It might help you've got some hacking skillz. :0

Lemme know.

My solo bass album Outre won the 2009 Solo Instrumental Album award. It's not a big prize kind of award - just some recognition and for that I'm grateful. Thanks to everyone involved in my nomination and eventual award.

Unfortunately, I can't accept comments on this blog anymore because of a software password reset glitch with Moveable Type running on a Windows server. It's a long story. I'm sorry if you posted a comment and never saw it get approved. I can only post using an app like MarsEdit but can't access the admin area. It's a total cluster-fuck. It's not that I blew you off.

Well - that's not totally true - I'm sure there are a few comments in there that I would NOT have approved. :)

I do need to update this site - but I've been too busy with non-bass related stuff - including re-launching my sound design service - Alien Imaging.

Ok - that's all for now.

You can still connect via email and on twitter.

Thanks again!

In case you've wondered why I continue to show up at a day job rather than hit the road in the highly lucrative solo bass genre - see above. :)

Now, it's time to let Ruiner Severhead have his way with Imogen Heap's lovely vocal.

While these SoundCloud players look cool - they deliver audio with roughly the quality of MySpace.

Which is to say it blows monkey sac.

Go ahead and click the link to download it. For free. To Kids. It's a 256k mp3 and sounds fairly decent for an mp3.

Some production notes for the insanely curious.

The main bass line is the American P Bass running through a modified "synth" patch on the Boss GT10. It's NOT midi.

Guitar sounds are both actual guitar and piccolo bass. Although - once it hits the scrotum smasher - all that shit sounds the same anyway.

All the texture type effects were created from recording the sound of the Larkspur Ferry I ride into San Francisco every morning. I recorded "down below" near the back where engines are. I put the sound into a granular synth and tweaked.

I also changed the vocal melodically by pitch shifting various notes to support the harmonic minor flavor. Gives the track a totally different feel.

enjoy.

If the player doesn't work for you try this link

Longer version.

Twitter. It's all about Twitter.

I follow a few artists I admire on Twitter. Among them is Imogen Heap.

As part of a promotion called "Twestival" to raise money to improve the quality drinking water in impoverished regions, Imogen Heap released the vocal tracks to a song that was never produced. She only had the vocal parts.

FULL DETAILS HERE

So I downloaded the tracks and built the song you hear above. You can do one also - till mid March 2009 I think.

I played / programmed / produced everything - there's bass, drums, guitars, synth, sound design. All the stuff I most enjoy doing. Playing, writing and knob-tweaking.

Owing to nothing more (i'm sure) than the high quality vocal tracks from Imogen - this is the most commercial sounding thing I've ever produced.

Of course, I also just ADORE Imogen Heap. She writes great songs, has a gorgeous voice and is a killer producer/sound designer in her own right.

She's the real deal, and time totally vanished for me while working on this track. That's a sign I think. :)

Secret evil plan part ii has me considering doing another take on the track all together.

But then again - maybe not.

Hope you enjoy. Donate - and try your own version!

But every so often, there's a TED Talk that just really hits me where I am at that moment.

This is one of those.

Author Elizabeth Gilbert's TED Talk.

If you create, watch.

I like this. It resonates with me. I never have an original idea. All my ideas are inspired by other ideas. I'm a steal & modify artist.

I stole this bit from ISO50

Who stole it from Today & Tomorrow

Who stole it from Movie Maker

Who knows who & where Jim Jarmusch stole it from.

Both demos. Both untitled. The audio for both are taken from the tape.

Like I mentioned in my Sporadic Gig Syndrome post - I opted to flesh out some new ideas for my house concert on friday night (with Steve Lawson, Lobelia & Gustaf Fjelstrom) rather than boning up on my Outre material.

As I don't have any gigs lined up right now - I don't feel any incentive to keep working on these tunes. Just how I roll.

So I figured I'd record them as they stand now for posterity. And also to remember what the hell I played 5 months from now when I want to finish these things.

Then - it hit me. I should record them to the Fostex G16 tape machine I picked up over the summer. I had yet to use it. It would be a great test.

This vid blog documents the effort. Well - about 9 minutes of it. It actually took several hours.

The video only includes samples of tracking 2 tunes - but I got video on all of the complete tunes. I'll put those up in another post when I get some time to knock it out.

Video takes FOOOOOOOOOOOOREEEEEEEEEEVAAAAAAAAAAHHHH!

Now, typically, that's exactly the kind of thing I'd say cuz it's funny or absurd and leave it at that. But this time - just putting the words out there made it different.

So I went to CD Baby and changed the price of my solo bass CD Outre - to $85.00.

So what happened?

I got a few e-mails from buyers and a call from CD Baby asking if it was a typo. If the real price was supposed to be $8.50.

No, I explained - the price is $85.00. To those that emailed and wanted the download version - I directed them to THIS $6.99 DRM free download of Outre. I get to keep all the money on that sale AND offer it at a lower price than on I can on CD Baby.

One copy did sell at $85.00. Thank you.

Why did I do it?

With EVERYONE talking about music being free, or close to free - I felt the need to indulge my contrarian impulse. Not only would I RAISE the price - I'd raise it absurdly. $85.00.

After I raised the price I began to think differently about music and artists pricing their works.

For example.

I occasionally go to art festivals here in the Bay Area. Every once in a while we'll see something that's truly striking. We'll look at it, marvel at how awesome it is - and then notice the price. Oh - $15,000. Oh well.

Obviously that artist carts that big ass painting or sculpture around to every art festival they can with the hope it finds the ONE person who will pay $15,000 for it.

We accept this dynamic for paintings - sculptures and other works of "fine art". But not for recorded music.

I decided to try to find the ONE person who would buy Outre for $85.00.

I did.

So now the experiment is over and the price will return to the level the "market" expects a CD to sell.

I don't have the answer to music pricing - or how to make music special in the same way that a painting or sculpture can be.

But it was fun to think about and price my album in the same way I might a sculpture or painting.

So awesome.

I have a gig coming up.

No shit.

Me - Jeff "How come I never get to see him play live" Schmidt. :)

Its a house concert in the San Jose area on Jan 23rd around 7:30pm - the Nerd-Farm Solo Bass Hootenanny! where I'll be joining Steve Lawson & Lobelia and Gustaf Fjelstrom. It's a casual but cool affair.

SEATING IS LIMITED - RESERVE your seat at this website.

I haven't played a proper show in a few months. This means I've forgotten how to play many of my tunes.

It may come as a shock - but I actually don't sit around playing my own music much.

So if I'm not gigging - I'm not playing the tunes. If I'm not playing the tunes for a few months - I forget how to play them.

They are, if I do say so - pretty frakking hard for me to play. I can't just "wing it". Wish I could.

In 07 I was playing gigs with such regularity that keeping my material in shape was easy.

But last year was reeeeeeeeealy mellow on solo bass gigs for me. Mostly by choice - but still.

So now, when someone asks me if I'm into doing a solo gig - all I can think about is the time and effort needed to bone up on my own music. Add a certain amount of laziness on my part and you start getting the idea.

That's Sporadic Gig Syndrome.

You should've seen me - hitting Youtube - watching my own stupid videos trying to figure out how I played some of that stuff. I'm such a tard.

POSSIBLE SOLUTIONS: vote for your fav in the comments!

A.) lower my standards - don't practice & wing it!

B.) gig more. duh.

C.) write simpler music I can play without much prep.

vote now.

Anyway - it seems I'm fated to create music I'll need to incessantly practice. My cross to bare. Weep for me.

My feeling right now is that I'm probably not going to play much Outre material for this engagement. We'll see.

The idea of playing some of my newest musical sketches is far more exciting than spending hours re-learing/practicing older material.

I think I can safely say I have no "hits" that I'll need to play to "please the crowd" - so this shouldn't be a problem. :) If you plan on attending - and this is a problem - speak now cuz I'll have to work on it if you want to hear something. Otherwise I'm going rouge bitches! :)

Does anyone else have Sporadic Gig Syndrome?

Does anyone else write music they forget how to play?

Does anyone want to help me get - ya know - Frequent Gig Syndrome?

Drop a comment.

House Concerts are all the rage now cuz it's easier to put on than at a "proper" venue that often needs 200 people drinking expensive drinks in the house to make it worth their while.

If you want to put on a House Concert just drop me a note and we'll work something out.